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List of Marvel Cinematic Universe television series

The shows have been in production since 2013, and in that time Marvel Television and ABC Studios, along with its production division ABC Signature Studios, have premiered 11 series across broadcast, streaming, and cable television on ABC, Netflix and Hulu, and Freeform, respectively.

They have at least four more series in various stages of development, with Marvel Studios—the production studio behind the MCU films—having at least five series in development for Disney+.

Marvel later formed a unique partnership with IMAX Corporation to premiere Inhumans in select IMAX theaters in September 2017 before airing it on ABC during the 2017–18 television season.

After discovering that Project Centipede and their leader, 'The Clairvoyant', were affiliated with Hydra, a terrorist organization, Coulson and his team must deal with Hydra members still at large following Hydra's infiltration of, and the destruction of, S.H.I.E.L.D., while also looking to restore trust from the government and public.[8]

In the wake of S.H.I.E.L.D.'s wars with Hydra and the Inhumans, a race of superhumans, Coulson begins a secret mission to protect the world from new threats.[9]

is made a legitimate organization once again, with Coulson returning to being a field agent, and is tasked with tracking down more enhanced people–including Robbie Reyes / Ghost Rider–while Agent Leo Fitz and Dr. Holden Radcliffe complete their work on Life Model Decoys.[10]

Coulson and members of his team are eventually abducted to the future in deep space, where they must try and save humanity while figuring out how to get home.[11]

Regarding the synergy the show had with addressing events from the film, Loeb said, 'It's an extremely unique experience that doesn't exist anywhere else out there in the entertainment business.'[23]

Additionally, a recurring plot point in the first two seasons involved the body of a member of the Kree race, who play a significant role in Guardians of the Galaxy.[27]

In 1946, Peggy Carter must balance the routine office work she does for the Strategic Scientific Reserve while secretly assisting Howard Stark, who finds himself framed for supplying deadly weapons to enemies of the United States.

Carter eventually moves from New York City to Los Angeles to deal with the threats of the new atomic age in the wake of World War II, gaining new friends, a new home and potential new love.[53]

Ben Sherwood, president of Disney–ABC Television Group, added that 'We've worked very carefully with our friends at Marvel Studios—and this is a critical point—to make sure that calendar-wise and content-wise we are only enhancing' the MCU;

By October 2013, Marvel was preparing four drama series and a miniseries to present to video on demand services and cable providers, with Netflix, Amazon, and WGN America expressing interest.[91]

Lawyer-by-day Matt Murdock uses his heightened senses from being blinded as a young boy to fight crime at night on the streets of Hell's Kitchen as Daredevil, juxtaposed with the rise of crime lord Wilson Fisk.[93]

Murdock eventually crosses paths with Frank Castle / Punisher, a vigilante with far deadlier methods, and sees the return of his old girlfriend, Elektra Natchios.[94][95]

A second season was ordered on April 21, 2015, with Doug Petrie and Marco Ramirez taking over as showrunners from DeKnight, who could not return to the series due to a prior commitment.[80]

She begins to put her life back together after her encounter with Kilgrave, taking on a new case that makes her reluctantly confront her past.[113]

When a sabotaged experiment gives him super strength and unbreakable skin, Luke Cage becomes a fugitive attempting to rebuild his life in Harlem, and must soon confront his past and fight a battle for the heart of his city.[128]

After clearing his name, Cage becomes a hero and celebrity in Harlem, only to encounter a new threat that makes him confront the line between hero and villain.[129]

The series was switched with Iron Fist after the positive reception Luke Cage received on Jessica Jones, becoming that series' breakout star and Marvel wanting to 'follow the momentum'.[132]

The series was switched with Luke Cage after the positive reception Luke Cage received on Jessica Jones, becoming that series' breakout star and Marvel wanting to 'follow the momentum'.[132]

Frank Castle is haunted and hunted after the murder of his family and becomes a vigilante known in the criminal underworld as the Punisher, who aims to fight crime by any means necessary.[90][179]

By January 2016, ahead of the debut of Bernthal as armed vigilante Frank Castle / Punisher in the second season of Daredevil, Netflix was in 'very early development' on a spin-off series titled The Punisher, and was looking for a showrunner.

Loeb implied that Marvel Television had not instigated the development of the spin-off and were focusing on making 'the best 13 episodes of Daredevil season two' at the time, but did say, 'I'm never going to discourage a network from looking at one of our characters and encouraging us to do more....If we are lucky enough that through the writing, through the direction, through the actor that people want to see more of that person, terrific.'[183]

When six teenagers discover their parents are villains, collectively known as the Pride, they reluctantly unite to go against them.[191]

In August 2016, Marvel announced Marvel's Runaways had received a pilot order, along with additional scripts, from the streaming service Hulu, based on the team of the same name.

The series is not intended to be a spin-off of Agents of S.H.I.E.L.D., but will focus on the 'same character [introduced in Agents of S.H.I.E.L.D.] with [a] new story that lives unto its own.'[211]

In New Orleans, Tandy Bowen and Tyrone Johnson, two teenagers from different backgrounds, acquire superpowers after a life-changing event that revolved around the collapse of an oil platform.

As their relationship unfolds, they soon realize that their powers work better when they are together, but their feelings for each other make their already complicated world even more challenging.[215]

By November 2017, Disney was developing a Marvel series specifically for release on its new streaming service Disney+, which it planned to launch before the end of 2019.[234]

In September 2018, it was reported that Marvel Studios was developing several limited series for the service, to be centered on 'second tier' characters from the MCU films who had not and were unlikely to star in their own films;

Stories for each series were still being decided on, but the series were expected to be six to eight episodes each and have a 'hefty [budget] rivaling those of a major studio production'.

and a month later he elaborated that the series would take characters from the films, change them, and see those changes reflected in future films.

Mackie and Stan had both previously expressed interest in starring in an MCU spin-off film together, with Stan comparing the potential idea to buddy comedy films like Midnight Run (1988) and 48 Hrs.

Each episode will examine a different crucial moment in the MCU's history and explore different outcomes, with the possibility of actors from the films reprising their roles for the show.

In April 2019, a limited series focused on Jeremy Renner's Clint Barton / Hawkeye was reported to be in development, with the plot involving Barton passing the mantle of Hawkeye to the character Kate Bishop.[233]

With the release of the second season of Daredevil, Brian Lowery of Variety felt the Netflix series 'have already leapfrogged ABC's forays into the Marvel universe in terms of their appeal, in part by tapping into the avid fan base that supports pay models and doesn't need to be spoon-fed plot points.

After the release of the first season of Luke Cage, The Atlantic's David Sims wrote on the pacing issue of Marvel's Netflix series, a common complaint to that point, stating, 'After two seasons of Daredevil, one of Jessica Jones, and now one of Luke Cage, the Netflix model feels fundamentally flawed, encouraging the kind of molasses-slow plotting comic books are designed to eschew.

He felt one of the problems was the fact that Netflix does not rely on viewers tuning into a particular series as broadcast series do each week, but rather subscribers who, if they lose interest, 'can take as long as they want to catch up...

The Netflix series are also afforded the opportunity to explore elements in more detail, with Sims noting 'A lot of this detail [is] good, but it could have been considerably compressed—none of the Marvel Netflix series, so far, would have lost much by being squeezed into 10 episodes, or even 8.

Until then, fans will be stuck needlessly giving over entire days to these series, while others are deterred from watching at all.'[346]

much more grounded in a gritty real world than what we typically expect from a superhero show (like DC's candy-colored [Arrowverse] on The CW), the problem is that they miss out on the key element: this should be fantastical entertainment.'[347]

The show follows the overworked, underpaid, clean up crew of the Marvel Cinematic Universe, who specialize in dealing with the aftermath of superhero conflicts, rescheduling events because of the conflicts, and retrieving lost items.[349]

In October 2015, ABC ordered a put pilot for a half-hour live-action comedy series Marvel's Damage Control, based on the comics construction company of the same name.

By the end of August 2016, Marvel Television and ABC Studios were developing a half-hour comedy series based on the New Warriors featuring Squirrel Girl, with the series being offered to cable networks and streaming outlets.[354]

In November 2017, it was announced that the series would no longer air on Freeform and was being shopped to other networks, with Marvel hoping to be able to air the series in 2018.[357]

From mid-April 2015, Marvel worked with screenwriter John Ridley since mid-April 2015 to craft a new television series, 'reinventing' an existing Marvel character or property.[358]

He stated that he was looking to 'bring some of the socially conscious nature' of Jessica Jones and his series American Crime to the show, while also creating something that is 'straight entertainment'.[359]

Ridley added that the rewrite was not because 'anything didn't work the first time around', but rather trying to make sure the series does something viewers have not necessarily seen before in a superhero television series, hoping it would occupy 'a space that is not currently being filled' by Marvel.

Netflix vice president of original content Cindy Holland reiterated in July 2018 that there were always ongoing discussions regarding creating more spin-offs for characters in their Marvel series.[363]

executive producer Jeffrey Bell and writer Paul Zbyszewski, would be based on storylines occurring at the end of the second season of Agents of S.H.I.E.L.D., and would receive its own pilot rather than a backdoor pilot.[365]

Bell and Zbyszewski once again developed the series, while also serving as co-writers of the pilot, executive producers, and showrunners, with Jeph Loeb also attached as executive producer.[369]

The series would still focus on Morse and Hunter, with Palicki and Blood both attached, and was described as 'a new take focusing on the same duo and their continuing adventures.'[368]

Dungey said in May 2016 that there were 'a handful of projects in development', after passing on Marvel's Most Wanted and canceling Agent Carter, and that Marvel and ABC were looking 'at series that would be beneficial to both brands.'[371]

We developed a couple things this season that we don't think are going to end up going forward, so we're going to look really carefully about what we do next, because the idea for us is to come up with something that works very well for both Marvel and ABC, so we're going to continue to try there.'[372]

In August, Dungey said 'we're cooking up a couple things for broadcast' in terms of potential new Marvel series on ABC, and that there was one idea in particular that she was excited to talk about.[373]

In September 2018, ABC gave a production commitment to a series featuring lesser-known female superheroes, written and executive produced by Allan Heinberg.

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