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Pixel Scroll 4/3/19 I’ve Got A Pixel To The Scroll But I’d Rather See The Godstalk In Your List
Not a single Heinlein story was nominated for the Retro Hugos this year, not because fandom has suddenly lost its taste for Heinlein, but because Heinlein was too busy in 1943 testing military equipment at the Navy Yard* to write science fiction.
Also notable by his absence (except for one fairly obscure story) is Isaac Asimov, who was also too busy testing military equipment at the Navy Yard to write, though unlike Heinlein, Asimov didn’t have a choice, because he was at danger of being drafted and expected (not without justification) that he’d be killed if he were ever taken prisoner, as Alex Nevala-Lee describes in his (excellent) chronicle of the Golden Age and what followed Astounding.
But the way I viewed the Best Series Hugo (and the way it was originally sold) was as a way to award the sort of extremely popular SFF series that are beloved by fans and regularly hit bestseller lists, but whose individual volumes are almost never recognised by the Hugos, because the whole is often greater than the sum of its parts (see Wheel of Time, which was obviously misclassified in Best Novel, but would have been a natural for this category).
When the category was announced, I assumed we’d see finalists like the Dresden Files by Jim Butcher (which might have been nominated, except that the series hasn’t had a new book in years, because Jim Butcher is apparently ill), the Kate Daniels series by Ilona Andrews (which actually ended in 2018 and really would have deserved a nod), the Mercy Thompson and Alpha and Omega series by Patricia Briggs, the Outlander series by Diana Gabaldon, the Honor Harrington series by David Weber (not to my taste, but obviously beloved by many), etc… But that’s not what we’re seeing in this category.
There are many reasons that have been suggested as to why this was never published, including certain copyright issues that may have existed at that time (the book uses the characters created by other authors, and the book acts as a homage to a couple of authors Heinlein admired).
She casually drops into the narrative such ideas as a future type of internet in which computer-generated avatars present the news, or a combination implant and gene therapy that turns the deaf bonobo keeper’s mouth into another ear, able to perceive vibrations and translate them into sound.
By the time the Foxes were debunked, they’d helped to inspire a new religion, Spiritualism, which was popular in both America and Great Britain, that held as its central tenet that the spirits of the dead continued to exist on another plane and could be contacted by human mediums.
Those who do brave the experience will get special marathon collectibles, content, concession offers and will get to see “Avengers: Endgame” at 5 p.m. local time on April 26, one hour earlier than regular public show times.
Stories of fantasy and science fiction have risen from the quaint traditions of the tribal storyteller through children’s fables and pulp magazines to dominate today’s cultural mainstream.
Through their use on the covers of bestselling books, to their appearance in blockbuster movies, TV shows and videogames, illustrative images play a central role in the appeal and popular acceptance of the fantastic narrative and the Society of Illustrators is pleased to celebrate this rite of passage with an exhibition of more than 100 examples of the genre’s finest artistic works. MASTERS OF THE FANTASIC encompasses a full range of otherworldly images—from dragons, specters and demons, to the far reaches of deep space—in the form of paintings, drawings and sculpture, highlighting the works of the artistic innovators who have given shape and substance to the world’s most imaginative kinds of storytelling.
shatters beneath you and you are cast off, a weightless space traveller in the wonder of the galaxy. And quickly dumped on the surface of the moon, quaking (in my case), to face and explore a series of visions and adventures: ghost dinosaurs composed of mathematical symbols splinter into nothing as you navigate yourself toward them (one is replaced by a phantom Cadillac);
a plethora of swirling, hideous space junk crashes into your visor before you realise you have grown an immensely long pair of arms with which, presumably, to fend off the aggressions of this man-made trash, while behind looms the immense, terrifyingly beautiful sight of Earthrise. A fathomlessly deep stone rose (remember Saint-Exupéry’s The Little Prince?), still and lovely, is vast enough to be slowly circled by its own eerie moons. Later you lose your body completely;
An hour south of Charlotte, N.C., two forks in the road beyond suburbia, a freshly constructed house sits in a wind tunnel waiting to be set on fire.
As these disasters become more frequent and expensive, in part because of climate change, insurers are investing more in this research facility that studies how to protect homes and businesses from destructive wind, water and embers.
The Salt Lake City-based company is also responsible for the Guardian GT robot, which allows an operator to remotely control two massive robotic arms on a tracked (or wheeled) robot to perform dangerous inspection and maintenance tasks in the nuclear, oil and gas, and construction industries.
The company also designed a powerful robotic exoskeleton, the Guardian XO, a smooth, battery-powered exoskeleton initially designed to give industrial workers the ability to repeatedly lift 200 pounds without any physical exertion.
As we’ve seen continued industry buy-in, as well as ongoing innovation, Sarcos has started to land some big contracts that could increase the amount of physically augmented workers in the workforce.
The award recipients are: · Aurelian Zapciu, Romania – $10,000 for first place, Waste Pre-Processing Unit · Derek McFall, United States – $2,500 for second place, Microgravity Waste Management System · Ayman Ragab Ahmed Hamdallah, Egypt – $2,500 for second place, Trash-Gun (T-Gun) The three winners brought a variety of approaches to the table for the challenge.
Zapciu’s submission proposed incorporating space savings features and cam actuated ejectors to move trash through the system, before bringing it to another mechanism to complete the feed into the reactor.
To avoid over-crowding, entrance will be strictly limited to people who »»» sign up in advance ««« This event is the first of an envisioned series of joint meetups between GlobalNet21 and London Futurists.
David Wood, chair of London Futurists, will set the context by providing a critical evaluation of one of the most significant and controversial books of 2016: “Homo Deus - A brief history of tomorrow”, by historian Yuval Noah Harari.
Harari’s book is a good starting point for this discussion as it raises some significant questions about our digital futures: “Homo Deus explores the projects, dreams and nightmares that will shape the twenty-first century – from overcoming death to creating artificial life.
Providing food and shelter should be possible but how to give meaning to their lives will be the huge political question.” Among the destructive powers that Harari highlights is the accumulation of data by companies such as Google and Facebook, and our increasing reliance on data-crunching algorithms in more and more areas of life.
It’s perhaps no surprise that voters around the world have sensed a disturbing “loss of control” - control now lies with algorithms, rather than with conscious human deliberation.
This review will be followed by a group discussion to identify a number of specific topics for priority attention in future joint meetups - topics that the audience assess to be inadequately understood or to lack meaningful action plans.
Our aim is through dialogue to celebrate diversity and develop community self-resilience and sustainability at a time of unprecedented social and environmental change.” To avoid over-crowding, entrance will be strictly limited to people who »»» sign up in advance «««
- On Friday, October 18, 2019
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